Build your own Bat House, and Birdhouse.


The Bat House

Building a bat house in your backyard may sound like a weird project for a large number of people, but not once you realize that one single little bat can gobble up to 1,000 mosquitoes within an hour. They also love to eat moth and other insects. Is it a much better option than using pesticides, since chemicals are actually killing more bats and birds than the insects themselves. Another benefit to have bats flying around your yard is the fact that they are a great help for the spreading of pollen. It could be very helpful if you own fruit trees.


How to Build a Bat House


Materials (makes one single chamber house)

Ø 14 sheet (2' x 4') 12" AC, BC or T1-11 (outdoor grade) plywood

Ø One piece 1" x 2" (34" x 112" finished) x 8' pine (furring strip)

Ø 20 to 30 exterior-grade screws, 1"

Ø One pint dark, water-based stain, exterior grade

Ø One pint water-based primer, exterior grade

Ø One quart flat, water-based paint or stain, exterior grade

Ø One tube paintable latex caulk

Ø 1" x 4" x 28" board for roof (optional, but highly recommended)

Ø Black asphalt shingles or galvanized metal (optional)

Ø 6 to10 roofing nails, 78" (if using shingles or metal roofing)


Recommended tools

Ø Table saw or handsaw

Ø Caulking gun

Ø Variable-speed reversing drill

Ø Paintbrushes

Ø Screwdriver bit for drill

Ø Hammer (optional)

Ø Tape measure or yardstick

Ø Tin snips (optional)


Construction

1. Measure and cut plywood into three pieces: 2612" x 24" 1612" x 24" 5" x 24"

2. Roughen inside of backboard and landing area by cutting horizontal grooves with sharp object or saw. Space grooves 14" to 12" apart, cutting 132" to 116" deep.

3. Apply two coats of dark, water-based stain to interior surfaces.

Do not use paint, as it will fill grooves.

4. Cut furring strip into one 24" and two 2012" pieces.

5. Attach furring strips to back, caulking first. Start with 24" piece at top. Roost chamber spacing is 34".

6. Attach front to furring strips, top piece first (caulk first).

Leave 12" vent space between top and bottom front pieces.

7. Caulk all outside joints to further seal roost chamber.

8. Attach a 1" x 4" x 28" board to the top as a roof (optional, but highly recommended).

9. Apply three coats of paint or stain to the exterior (use primer for first coat).

10. Cover roof with shingles or galvanized metal (optional).

11. Mount on building (south or east sides usually best).

Optional modifications to the single-chamber bat house


1. Wider bat houses can be built for larger colonies. Be sure to adjust dimensions for back and front pieces and ceiling strip. A 34" support spacer may be needed in the center of the roosting chamber for bat houses over 24" wide to pre vent warping.

2. To make a taller version for additional temperature diversity, use these modifications: From a 2' x 8' piece of plywood, cut three pieces: 51" x 24", 33" x 24" and 12" x 24". Cut two 8'furring strips into one 24" and two 44" pieces. Follow assembly procedure above.

3. Two bat houses can be placed back-to-back, mounted between two poles, to create a three-chamber nursery house. Before assembly, cut a horizontal 34" slot in the back of each house about 9" from the bottom edge of the back piece to permit movement of bats between houses. Two pieces of wood, 1" x 4" x 414", screwed horizontally to each side, will join the two boxes. Leave a 34" space between the two houses, and roughen the wood surfaces or cover the back of each with plastic mesh (see item 5 below). Do not cover the rear exit slots with mesh.


One 1" x 4" x 34" vertical piece, attached to each side over the horizontal pieces, blocks light but allows bats and air to enter. A galvanized metal roof, covering both houses, protects the center roosting area from rain. Eaves should be about 3" in southern areas and about 112" in the north.


4. Ventilation may not be necessary in cold climates. In this case, the front should be a single piece 23" long. Smaller bat houses like this one will be less successful in cool climates. However, those mounted on buildings maintain thermal stability better and are more likely to attract bats.


5. Durable plastic mesh can be substituted to provide footholds for bats. Attach one 20" x 2412" piece to backboard after staining interior, but prior to assembly.


TIPS

Ø DO NOT hang bat house in tree or shady area. Make sure it receives 6-8 hours of sunlight each day.

Ø Mount box at least 12 feet above the ground.

Ø Hanging the bat house near a pond or stream may increase your chances of attracting bats to use it.

Ø Bats usually will not use a bat house during the winter.

Ø Be sure to clean and do maintenance on your bat house each winter.


How to Build a Simple Bird House


Attracting birds to your backyard might be easier then you think. Birds love the simple things, food, water and shelter. By providing these basics you will attract more birds to your home.


Make a simple bird house from scraps of 1/2" and 1/4" wood; our example uses inexpensive plywood.

This is a nice gift for nature lovers, gardeners, or for someone special on Father's Day!

As you can from the picture at right, you can decorate the assembled bird house in many ways, from simple paint or stain to folk painting techniques finished with a non-toxic outdoor sealer.

Bird House Craft Supplies

  • hammer and 1/2" finishing nails
  • waterproof glue
  • sandpaper
  • drill with 1-3/8" hole saw and 1/4" drill bit
  • 1/2" plywood in sizes shown in Figure 1, for two bottom sides and two inside supports
  • 1/4" plywood for two roof sections, each 7" x 5"
  • 1/4" plywood for the front and back sections, each 5-7/8 square<
  • 5" length of dowel to finish the top, and 3" length of dowel for bird perch
  • optional: paint or stain

Instructions:

1. Before proceeding with each joint, start the nails, tapping into position, and then apply waterproof glue along the joint edge.

2. Butt
and glue the two bottom sides together as shown in Fig.1

3. Next, glue
and nail the back section to the bottom sides.

4. Glue
and nail the inside supports; see Fig. 1 for positioning on the back.

5. Using the 1 3/8 hole saw, drill a hole in the front section so that the top of the hole is 2" down from a corner; see finished photo for detail. Use a 1/4" bit to drill a hole for the dowel perch, 5'8" below the bottom of the larger entrance hole. S
and the edges smooth, and sand all other inner parts of the bird house before nailing down the front.

6. Glue
and nail the front to the bottom sides and the inside supports.

7. Position roof sections so that they meet, but do not butt at the top. Glue
and nail the roof sections into place. The roof overhangs the sides, as shown.

8. Glue the 5" dowel in the channel between the roof sections to complete this joint.

9. S
and all surfaces.

10. Lastly, glue the 3" dowel into position as a perch.

Your bird house is now ready to stain or paint as desired. BE CAREFUL what paints you choose, you do not want any toxins leaking into the wood
and making your birdhouse harmful. Keep it natural is always better.


TIPS:

Ø Hang your birdhouse in a safe area, high on a pole or in a tree.

Ø If you hang your birdhouse close to the feeder, and water supply (bird bath maybe?) you will be able to attract birds quicker.

Ø Try and keep the food, water and house away from a high traffic area in your yard, (where the dog or kids play for example) - a bird will want to know they are safe, especially when they have young ones.

© Copyright, 2010 Main Street Magazine/Rain Enterprises

As seen in the June Issue of Main Street Magazine.

Printed in Canada, ISSN: 1920-4299 by Rain Enterprises


To find out how to receive your free copy of MSM check out

www.mainstreetmagazine.net










The Passage of Time
 I often look back at my life between 13 and 18, and wonder why I was so impatient for the years to 
keep moving.  Time, it seemed, just crawled at a snails pace and I wanted it to go faster, to leap out of 
the morass of school and into the big world of grown ups. They didn’t have homework, curfews, 
freckles, report cards that your parents went over with a fine tooth comb. There were no chores to do,
 beds to make. They got to drive alone, instead of being taken everywhere by their parents. They didn’t 
get dragged to all of the boring family affairs if they didn’t want to go. All I wanted was time to move.
     Now it has, faster and faster with each new month and year. Yesterday I was a 20 something just 
getting married; today I’m a grandmother and facing the end of time, instead of the beginning. 
Nothing went as I thought it would, but then things I never thought or dreamed about came along 
and surprised me. I was given chances to do things, go places, and contribute in ways I never realized 
were possible.
     I met eclectic people doing cutting edge work in medicine; I got to see brain surgery up close and 
marveled at the grey glob that is the seat of our intelligence. I flew a friends Cessna from Santa Monica
 airport to Oxnard just for Brunch, of course my friend had his hands on the other yoke in case I was 
about to take a header. (I actually took flying lessons when I was in the Navy stationed in Boston, 
however, after 30 hours, my flight instructor determined my ability to take off and fly were excellent, 
but when it came to landings, I had the potential to be a disaster in the making). I never trumped my 
own ace in Bridge, I saw the great Sandy Kofax pitch two no hitter perfect games at Dodger Stadium 
and I will never forget those 11 seasons that I was there to see the UCLA basketball team do what no 
other NCAA college team has or will do, win those Championships.
     What all this boils down to, for me at least, is that trying to hurry life is a waste of time. 
You have to savor all the years, to take in each, and every season, because from childhood to 
adulthood, to those Golden Years, is really the blink of an eye.
 

~Judi Rosen~

 
Copyright@June2010Judi.Rosen
 

© Copyright, 2010 Main Street Magazine/Rain Enterprises

As seen in the June Issue of Main Street Magazine.

Printed in Canada, ISSN: 1920-4299 by Rain Enterprises

To find out how to receive your free copy of MSM check out

www.mainstreetmagazine.net

 

The Things We Do For Love

Mashed spaghetti. Some things you could never prepare for.

It wasn't as if she and Doug were mega-yuppies but they both liked their pasta al dente and they both liked to sleep late.

Then along came Zoe, God bless her.

The sculptress.

Karen smiled as Zoe plunged her tiny hands into the sticky, cheesy mound. Three peas sat on top like tiny bits of topiary. The peas promptly rolled off the high chair and landed on the restaurant floor. Zoe looked down and cracked up. Then she pointed and began to fuss.

"Eh-eh! Eh-eh!"

"Okay, sweetie." Karen bent, retrieved the green balls, and put them in front of her own plate.

"Eh-eh!!"

"No, they're dirty, honey."

"Eh- eh!"

From behind the bar, the fat dark waiter looked over at them. When they'd come in, he hadn't exactly greeted them with open arms. But the place had been empty, so who was he to be choosy? Even now, fifteen minutes later, the only other lunchers were three men in the booth at the far end. First they'd slurped soup loud enough for Karen to hear. Now they were hunched over platters of spaghetti, each one guarding his food as if afraid someone would steal it. Theirs was probably al dente. And from the briny aroma drifting over, with clam sauce.

"Eh!"

"No, Zoe, Mommy can't have you eating dirty peas, okay?"

"Eh!"

"C'mon, Zoe-puss, yucko-grosso--no, no, honey, don't cry--here, try some carrots, aren't they pretty, nice pretty orange carrots--orange is such a pretty color, much prettier than those yucky peas--here, look, the carrot is dancing. I'm a dancing carrot, my name is Charlie...."

Karen saw the waiter shake his head and go back through the swinging doors into the kitchen. Let him think she was an idiot, the carrot ploy was working: Zoe's gigantic blue eyes had enlarged and a chubby hand reached out.

Touching the carrot. Fingers the size of thimbles closed over it.

Victory! Let's hear it for distraction. "Eat it, honey, it's soft."

Zoe turned the carrot and studied it. Then she grinned. Raised it over her head.

Windup and the pitch: fastball straight to the floor. "Eh- eh!"

"Oh, Zoe."

"Eh!"

"Okay, okay."

Time for Mommy to do her four-thousandth bend of the morning. Thank God her back was strong but she hoped Zoe got over the hurl-and-whine stage soon. Some of the other mothers at Group complained of serious pain. So far, Karen felt surprisingly fine, despite the lack of sleep. Probably all the years of taking care of herself, aerobics, running with Doug. Now he ran by himself....

"Eh!"

"Try some more spaghetti, honey."

"Eh!"

The waiter came out like a man with a mission, bearing plates heaped with meat. He brought them to the three men at the back, bowed, and served. Karen saw one of the three--the thin lizardy one in the center--nod and slip him a bill. The waiter poured wine and bowed again. As he straightened he glanced across the room at Karen and Zoe. Karen smiled but got a glare in return.

Bad attitude, especially for a dinky little place this dead at the height of the lunch hour. Not to mention the musty smell and what passed for decor: worn lace curtains drawn back carelessly from flyspecked windows, dark, dingy wood varnished so many times it looked like plastic. The booths that lined the mustard-colour walls were cracked black leather, the tables covered with your basic cliché checkered oilcloth. Ditto Chianti bottles in straw hanging from the ceiling and those little hexagonal floor tiles that would never be white again. Call Architectural Digest.

When she and Zoe had stepped in, the waiter hadn't even come forward, just kept wiping the bar top like some religious rite. When he'd finally looked up, he'd stared at the high-chair Karen had dragged along as if he'd never seen one before. Stared at Zoe, too, but not with any kindness. Which told you where he was at, because everyone adored Zoe, every single person who laid eyes on her said she was the most adorable little thing they'd ever encountered.

The milky skin--Karen's contribution. The dimples and black curls from Doug.

And not just family. Strangers. People were always stopping Karen on the street just to tell her what a peach Zoe was.

But that was back home. This city was a lot less friendly. She'd be happy to get back.

Let's hear it for business trips. God bless Doug, he did try to be liberated. Agreeing to have all three of them travel together. He'd made a commitment and stuck to it; how many men could you say that about?

But Zoe was busy with something new, little face turning beet-red, hands clenched, and eyes bulging.

"Great," said Karen, ignoring the thin man but certain he was still giving her the once-over. Then she softened her tone, not wanting to give Zoe any complexes. "That's fine, honey. Poop to your heart's content, make a nice big one for Mommy."

Moments later the deed was done and Zoe was scooping up pasta again and hurling it.

"That's it, young lady, time to clean you up and go meet Daddy."

"Eh-eh."

"No more eh-eh, change-change." Standing, Karen undid the straps of the high chair and lifted Zoe out, sniffing.

"Definitely time to change you."

But Zoe had other ideas and she began to kick and fuss. Holding the baby under one arm, like an oversized football, Karen lifted the gigantic denim bag that now took the place of the calf-leather purse Doug had given her, and walked over to the bar where the waiter stood polishing glasses and sucking his teeth.

He continued to ignore them even when Karen and Zoe were two feet away.

"Excuse me, sir."

One heavy black eyebrow cocked.

"Where's your ladies' room?"

Wet brown eyes ran over Karen's body like dirty oil, then Zoe's. Definitely a creep.

He licked his lips. A crooked thumb indicated the back of the restaurant.

Right past the booth with Lizard and his pals.

Taking a deep breath and staring straight ahead, Karen marched, swinging the big bag. God, it was heavy. All the stuff you had to carry.

The three men stopped talking as she walked by. Someone chuckled.

Lizard cleared his throat and said, "Cute kid," in a nasal voice full of locker-room glee. More laughter. Karen pushed through the door.

She emerged a few minutes later, having wrestled Zoe to a three- round decision. In one of Zoe's hands was the cow-rattle Karen employed to take Zoe's mind off diaper-changing. Let's hear it for distraction.

Forced to pass the three men, Karen stared straight ahead but managed to see what they were eating. Double-cut veal chops, bone and gristle and meat spread out over huge plates. Some poor calf had been confined and force-fed and butchered so these three creeps could stuff their faces.

Lizard said, "Very cute." The other two laughed and Karen knew he hadn't meant Zoe.

Feeling herself flush, she kept going.

The men started talking.

Zoe shook the rattle.

Karen said, "Eh-eh, huh, Zoe?" and the baby grinned and drew back her hand.

Windup and the pitch.

The rattle sailed toward the back of the restaurant.

Rolling on the tile floor toward the back booth.

Karen ran back, startling the three men. The rattle had landed next to a shiny black loafer.

As she picked it up, the tail end of a sentence faded into silence. A word. A name.

A name from the evening news.

A man, not a nice one, who'd talked about his friends and had been murdered in jail, yesterday, despite police protection.

The man who'd uttered the name was staring at her.

Fear--ice-cube terror--spread across Karen's face, paralyzing it.

Lizard put his knife down. His eyes narrowed to hyphens.

He was still smiling, but differently, very differently.

One of the other men cursed. Lizard shut him up with a blink.

The rattle was in Karen's hand now. Shaking, making ridiculous rattle sounds. Her hand couldn't stop shaking.

She began backing away.

"Hey," said Lizard. "Cutie."

Karen kept going.

Lizard looked at Zoe and his smile died.

Karen clutched her baby tight and ran. Past the waiter, forgetting about the high chair, then remembering, but who cared, it was a cheap one, she needed to get out of this place.

She heard chairs scrape the tile floor. "Hey, Cutie, hold on."

She kept going.

The waiter started to move around from behind the bar. Lizard was coming at her too. Moving fast. Taller than he looked sitting down, the grey suit billowing around his lanky frame.

"Hold on!" he shouted.

Karen gripped the door, swung it open, and dashed out hearing his curses.

Quiet neighbourhood, a few people on the sidewalk who looked just like the creeps in the restaurant.

Karen turned right at the corner and ran. Rattling, the heavy denim bag knocking against her thigh.

Zoe was crying.

"It's okay, baby, its okay, Mommy will keep you safe."

She heard a shout and looked back to see Lizard coming after her, people moving away from him, giving him room. Fear in their faces. He pointed at Karen, went after her.

She picked up her pace. Let's hear it for jogging. But this wasn't like running in shorts and a T-shirt; between Zoe and the heavy bag she felt like a plow horse.

Okay, keep a rhythm, the creep was skinny but he probably wasn't in good shape. Nice and easy with the breathing, pretend this is a ten-k and you've carbo-loaded the night before, slept a peaceful eight hours, gotten up when you wanted to....

She made it to another corner. Red light. A taxi sped by and she had to wait. Lizard was gaining on her--running loosely on long legs, his face sharp and pale--not a lizard, a snake. A venomous snake.

Ugly words came out of the snake's mouth. He was pointing at her.

She stepped off the curb. A truck was approaching halfway down the block. She waited until it got closer, bolted, made it stop short. Blocking the snake.

Another block, this one shorter, lined with shabby storefronts. But no corner at the end of this one. Green dead end. A hedge behind high, graffitied stone walls.

A park. The entrance a hundred yards left.

Karen went for it, running even faster, hearing Zoe's cries and the raspy sound of her own breathing.

Plow horse . . .

Steep, cracked steps took her down into the park. A bronze statue besmirched by pigeon dirt, poorly maintained grass, big trees.

She placed a hand behind Zoe's head, making sure not to jolt the supple neck--she'd read that babies could get whiplash without anyone knowing and then years later they'd show signs of brain damage....

Clap, clap behind her as Snake's footsteps slapped the steps. Mr. Viper... stop thinking stupid thoughts, he was just a man, a creep. Just keep going, she'd find a place to be safe.

The park was empty, the stone path shaded almost black by huge spreading elms.

"Hey!" shouted the snake. "Stop, awready... what... the... f---!"

Panting between words. The creep probably never did anything aerobic.

"What... f---... problem... wanna talk!”

Karen pumped her legs. The path took on an upward slope.

Good, make the creep work harder, she could handle it, though Zoe's cries in her ear were starting to get to her--poor thing, what kind of mother was she, getting her baby into something like this--

"Jesus!" From behind. Huff, huff. "Stupid... witch!"

More trees, bigger, the pathway even darker. Along the side, occasional benches, graffitied, too, no one on them.

No one to help.

Karen ran even faster. Her chest began to hurt and Zoe hadn't stopped wailing.

"Easy, honey," she managed to gasp. "Easy, Zoe-puff."

The slope grew steeper.

"F------ Witch!"

Then something appeared on the path. Metal-mesh garbage can. Low enough for her to jump in her jogging days, but not with Zoe. She had to sidestep it and the snake saw her lose footing, stumble, veer off onto the grass, and twist her ankle.

She cried out in pain. Tried to run, stopped.

Zoe's chubby cheeks were soaked with tears.

The snake smiled and walked around the can and toward her.

"F------ city," he said, kicking the can and whipping out a handkerchief and wiping the sweat from his face. Up close he smelled of too-sweet cologne and raw meat. "No maintenance. No one takes any f------ pride anymore."

Karen started to edge away, looked sharply at her ankle, and winced.

"Poor baby," said the snake. "The big one, I mean. With the little one making all that f------ noise--does she ever shut up?"

"Listen, I--"

"No, you listen." A long-fingered hand took hold of Karen's arm. The one she held Zoe with. "You listen, what the f--- you running away like some idiot make-me-chase-you-sweat-up-my-suit?"

"I--my baby."

"Your baby should shut the f--- up, understand? Your baby should learn a little discipline, know what I mean? No one learns discipline how's it gonna be?"

Karen didn't answer.

"You know?" said the snake. "How's it gonna be the puppy learns discipline when the witch don't know it? You tell me that, huh?"

"That's--"

He slapped her face. Not hard enough to sting, just a touch really. Worse than pain.

"You and me," he said, squeezing her arm. "We got things to talk about."

"What?" Panic tightened Karen's voice. "I'm just visiting from--"

"Shut up. And shut the goddamn baby up too--"

"I can't help it if--"

A hard slap rocked Karen's head. "No, witch. Don't argue. You notice what we were eating back there?"

Karen shook her head.

"Sure you did, I saw you look. What was it?"

"Meat."

"Veal. You know what veal is, sweet-cheeks?"

"Calf."

"'Zactly. Baby cow." Winking. "Something can be young and cute, go bah-bah, moo-moo, but it don't matter s--- when people's needs are involved, you know what I'm saying?"

He licked his lips. The hand on her arm moved to Zoe's arm. Pulling.

Karen pulled back and managed to free Zoe. He laughed.

Tripping backward, Karen said, "Leave me alone," in a too-weak voice.

"Yeah, sure," said the snake. "All alone."

The long-fingered hands became fists and he inched toward her. Slowly, enjoying it. The park so silent. No one here, dangerous part of town.

Karen kept retreating, Zoe wailing.

The snake advanced.

Raising a fist. Touching his knuckles with the other hand.

Suddenly, Karen was moving faster, as if her ankle had never been injured.

Moving with an athlete's grace. Placing Zoe on the grass gently, she stepped to the left while reaching into the big, heavy denim bag.

All the things you had to carry.

Zoe cried louder, screaming, and the snake's eyes snapped to the baby.

Let's hear it for distraction.

The snake looked back at Karen.

Karen brought something out of the bag, small and shiny.

Reversing direction abruptly, she walked right up to the snake.

His eyes got very wide.

Three handclaps, not that different from the sound of his feet on the steps. Three small black holes appeared on his forehead, like stigmata.

He gaped at her, turned white, fell.

She fired five more shots into him as he lay there. Three in the chest, two in the groin. Per the client's request.

Placing the gun back in the bag, she rushed toward Zoe. But the baby was already up, in Doug's arms. And quiet. Doug always had that effect upon Zoe. The books said that was common, fathers often did.

"Hey," he said, kissing Zoe, then Karen. "You let him hit you. I was almost going to move in."

It's fine," said Karen, touching her cheek. The skin felt hot and welts were starting to rise. "Nothing some makeup won't handle."

Still," said Doug. "You know how I love your skin."

"I'm okay, honey."

He kissed her again, nuzzled Zoe. "That was a little intense, no? And poor little kiddie--I really don't think we should take her along on business."

He picked up the denim bag. Karen felt light--not just because her hands were empty. That special sense of lightness that marked the end of a project.

"You're right," said Karen as the three of them began walking out of the park. "She is getting older; we don't want to traumatize her. But I don't think this'll freak her out too bad. The stuff kids see on TV nowadays, right? If she ever asks we'll say it was TV."

"Guess so," said Doug. "You're the mom, but I never liked it."

A bit of sun came down through the thick trees, highlighting his black curls. And Zoe's. One beautiful tiny head tucked into a beautiful big one.

"It worked," said Karen.

Doug laughed. "That it did. Everything go smoothly?"

"As silk." Karen kissed them both again. "Little Peach was great. The only reason she was crying is she was having so much fun throwing food in the restaurant and didn't want to leave. And the eh-eh worked perfectly. She threw the rattle, gave me a perfect chance to get close to the jerk."

Doug nodded and looked over his shoulder at the body lying across the pathway.

"The Viper," he said, laughing softly. "Not exactly big game."

"More like a worm," said Karen.

Doug laughed again then turned serious. "You're sure he didn't hit you hard? I love your skin."

"I'm fine, baby. Not to worry."

"I always worry, babe. That's why I'm alive."

"Me too. You know that."

"Sometimes I wonder."

"Some gratitude."

"Hey," said Doug. "It's just that I love your skin, right?" A moment passed. "Love you."

"Love you too."

A few steps later, he said, "When I saw him hit you, babe-- the second time--I could actually hear it from the bushes. Your head swivelled hard and I thought uh-oh. I was ready to come out and finish it myself. Came this close. But I knew it would tick you off. Still, it was a little... anxiety-provoking."

"You did the right thing."

He shrugged. Karen felt so much love for him she wanted to shout it to the world.

"Thanks, babe," she said, touching his earlobe. "For being there and for not doing anything."

He nodded again. Then he said it:

"The things we do for love."

"Oh, yeah."

His beautiful face relaxed.

A rock. Thank God he'd let her go all the way by herself. First project since the baby and she'd needed to get back into the swing.

Zoe was sleeping now, fat cheeks pillowing out on Doug's broad shoulder, eyes closed the black lashes long and curving.

They grew up so fast.

Soon, before you knew it, the little pudding would be in preschool and Karen would have more time on her hands

Maybe one day they'd have another baby.

But not right away. She had her career to consider.

~Jonathan Kellerman~

Jonathan Kellerman has brought his expertise as a clinical psychologist to numerous bestselling tales of suspense, including seventeen Alex Delaware novels

http://www.amazon.com/exec/obidos/ASIN/0345452550/ref=nosim/mysterybookstore-20

© Copyright, 2010 Main Street Magazine/Rain Enterprises

As seen in the June Issue of Main Street Magazine.

Printed in Canada, ISSN: 1920-4299 by Rain Enterprises

To find out how to receive your free copy of MSM check out

www.mainstreetmagazine.net